Monday, August 13, 2007
Sunday, August 12, 2007
The Hidden Dangers Of Cell Phone Radiation
Here's an Article I picked up at World Of Funk And Soul
Every day, we’re swimming in a sea of electromagnetic radiation (EMR) produced by electrical appliances, power lines, wiring in buildings, and a slew of other technologies that are part of modern life. From the dishwasher and microwave oven in the kitchen and the clock radio next to your bed, to the cellular phone you hold to your ear—sometimes for hours each day—exposure to EMR is growing and becoming a serious health threat.
But there’s a huge public health crisis looming from one particular threat: EMR from cellular phones—both the radiation from the handsets and from the tower-based antennas carrying the signals—which studies have linked to development of brain tumors, genetic damage, and other exposure-related conditions.1-9 Yet the government and a well-funded cell phone industry media machine continue to mislead the unwary public about the dangers of a product used by billions of people. Most recently, a Danish epidemiological study announced to great fanfare the inaccurate conclusion that cell phone use is completely safe.10
George Carlo, PhD, JD, is an epidemiologist and medical scientist who, from 1993 to 1999, headed the first telecommunications industry-backed studies into the dangers of cell phone use. That program remains the largest in the history of the issue. But he ran afoul of the very industry that hired him when his work revealed preventable health hazards associated with cell phone use.
In this article, we look at why cell phones are dangerous; Dr. Carlo’s years-long battle to bring the truth about cell phone dangers to the public; the industry’s campaign to discredit him and other scientists in the field; and what you can do to protect yourself now.
Cell Phones Reach the Market without Safety Testing
The cellular phone industry was born in the early 1980s, when communications technology that had been developed for the Department of Defense was put into commerce by companies focusing on profits. This group, with big ideas but limited resources, pressured government regulatory agencies—particularly the Food and Drug Administration (FDA)—to allow cell phones to be sold without pre-market testing. The rationale, known as the “low power exclusion,” distinguished cell phones from dangerous microwave ovens based on the amount of power used to push the microwaves. At that time, the only health effect seen from microwaves involved high power strong enough to heat human tissue. The pressure worked, and cell phones were exempted from any type of regulatory oversight, an exemption that continues today. An eager public grabbed up the cell phones, but according to Dr. George Carlo, “Those phones were slowly prompting a host of health problems.”
Today there are more than two billion cell phone users being exposed every day to the dangers of electromagnetic radiation (EMR)—dangers government regulators and the cell phone industry refuse to admit exist. Included are: genetic damage, brain dysfunction, brain tumors, and other conditions such as sleep disorders and headaches.1-9 The amount of time spent on the phone is irrelevant, according to Dr. Carlo, as the danger mechanism is triggered within seconds. Researchers say if there is a safe level of exposure to EMR, it’s so low that we can’t detect it.
The cell phone industry is fully aware of the dangers. In fact, enough scientific evidence exists that some companies’ service contracts prohibit suing the cell phone manufacturer or service provider, or joining a class action lawsuit. Still, the public is largely ignorant of the dangers, while the media regularly trumpets new studies showing cell phones are completely safe to use. Yet, Dr. Carlo points out, “None of those studies can prove safety, no matter how well they’re conducted or who’s conducting them.” What’s going on here? While the answer in itself is simplistic, how we got to this point is complex.
By Sue Kovach
Every day, we’re swimming in a sea of electromagnetic radiation (EMR) produced by electrical appliances, power lines, wiring in buildings, and a slew of other technologies that are part of modern life. From the dishwasher and microwave oven in the kitchen and the clock radio next to your bed, to the cellular phone you hold to your ear—sometimes for hours each day—exposure to EMR is growing and becoming a serious health threat.
But there’s a huge public health crisis looming from one particular threat: EMR from cellular phones—both the radiation from the handsets and from the tower-based antennas carrying the signals—which studies have linked to development of brain tumors, genetic damage, and other exposure-related conditions.1-9 Yet the government and a well-funded cell phone industry media machine continue to mislead the unwary public about the dangers of a product used by billions of people. Most recently, a Danish epidemiological study announced to great fanfare the inaccurate conclusion that cell phone use is completely safe.10
George Carlo, PhD, JD, is an epidemiologist and medical scientist who, from 1993 to 1999, headed the first telecommunications industry-backed studies into the dangers of cell phone use. That program remains the largest in the history of the issue. But he ran afoul of the very industry that hired him when his work revealed preventable health hazards associated with cell phone use.
In this article, we look at why cell phones are dangerous; Dr. Carlo’s years-long battle to bring the truth about cell phone dangers to the public; the industry’s campaign to discredit him and other scientists in the field; and what you can do to protect yourself now.
Cell Phones Reach the Market without Safety Testing
The cellular phone industry was born in the early 1980s, when communications technology that had been developed for the Department of Defense was put into commerce by companies focusing on profits. This group, with big ideas but limited resources, pressured government regulatory agencies—particularly the Food and Drug Administration (FDA)—to allow cell phones to be sold without pre-market testing. The rationale, known as the “low power exclusion,” distinguished cell phones from dangerous microwave ovens based on the amount of power used to push the microwaves. At that time, the only health effect seen from microwaves involved high power strong enough to heat human tissue. The pressure worked, and cell phones were exempted from any type of regulatory oversight, an exemption that continues today. An eager public grabbed up the cell phones, but according to Dr. George Carlo, “Those phones were slowly prompting a host of health problems.”
Today there are more than two billion cell phone users being exposed every day to the dangers of electromagnetic radiation (EMR)—dangers government regulators and the cell phone industry refuse to admit exist. Included are: genetic damage, brain dysfunction, brain tumors, and other conditions such as sleep disorders and headaches.1-9 The amount of time spent on the phone is irrelevant, according to Dr. Carlo, as the danger mechanism is triggered within seconds. Researchers say if there is a safe level of exposure to EMR, it’s so low that we can’t detect it.
The cell phone industry is fully aware of the dangers. In fact, enough scientific evidence exists that some companies’ service contracts prohibit suing the cell phone manufacturer or service provider, or joining a class action lawsuit. Still, the public is largely ignorant of the dangers, while the media regularly trumpets new studies showing cell phones are completely safe to use. Yet, Dr. Carlo points out, “None of those studies can prove safety, no matter how well they’re conducted or who’s conducting them.” What’s going on here? While the answer in itself is simplistic, how we got to this point is complex.
By Sue Kovach
Tuesday, July 31, 2007
Some Words On The Two Styles Of Music Funk And Disco
Funk music is a musical style which originated in America in the mid to late 1960’s. This musical genre blends together Rhythm and Blues, jazz and soul music into a trendy and danceable style.
Funk concentrates on a strong rhythmic groove from the rhythm section melody and harmony are de-emphasised. Back line instruments such as electric guitar, electric bass, Hammond organ and drums are used to play interlocking grooves. Most funk songs, unlike other musical styles such as soul and R and B, comprise of very few chords sometimes as little as a vamp on one chord. A horn section (saxophones, trumpets and sometimes trombones) is often used in funk bands to provide stabs and punches to accentuate rhythms and grooves.
Performers in this genre include James Brown with songs such as ‘I feel good’, Earth, Wind and fire, Kool and the Gang who had a hit single with ‘Celebration’, and Tower of Power. Funk has had a large influence on more recent forms of music such as disco and hip hop.
Disco Nothing sets of a party better than a bit of disco music, the genre which blended together two favourite music genres, soul and funk. Disco music became popular in the 1970’s and took over the mainstream pop music charts. This music form relies heavily on a very steady four to the floor bass drum beat, a quaver or semi quaver hi-hat pattern using an open hi-hat on the off beat, and a solid, often syncopated electric bass line. The vocals are high impact and use a great deal of reverb. Electric instruments including guitars, pianos, string sounds, often played on synthasisers, play in the background and are less important than the high impact drums and vocals. Popular artists in this genre include ‘The Jackson Five’, ‘The Bee Gees’ and ‘Donna Summer’, music by these artists is bound to get any aged person tapping or too their feet! Disco music helped the creation of techno and house in the 1990’s.
Article Source: http://EzineArticles.com/?expert=Charlotte_Jones
Funk concentrates on a strong rhythmic groove from the rhythm section melody and harmony are de-emphasised. Back line instruments such as electric guitar, electric bass, Hammond organ and drums are used to play interlocking grooves. Most funk songs, unlike other musical styles such as soul and R and B, comprise of very few chords sometimes as little as a vamp on one chord. A horn section (saxophones, trumpets and sometimes trombones) is often used in funk bands to provide stabs and punches to accentuate rhythms and grooves.
Performers in this genre include James Brown with songs such as ‘I feel good’, Earth, Wind and fire, Kool and the Gang who had a hit single with ‘Celebration’, and Tower of Power. Funk has had a large influence on more recent forms of music such as disco and hip hop.
Disco Nothing sets of a party better than a bit of disco music, the genre which blended together two favourite music genres, soul and funk. Disco music became popular in the 1970’s and took over the mainstream pop music charts. This music form relies heavily on a very steady four to the floor bass drum beat, a quaver or semi quaver hi-hat pattern using an open hi-hat on the off beat, and a solid, often syncopated electric bass line. The vocals are high impact and use a great deal of reverb. Electric instruments including guitars, pianos, string sounds, often played on synthasisers, play in the background and are less important than the high impact drums and vocals. Popular artists in this genre include ‘The Jackson Five’, ‘The Bee Gees’ and ‘Donna Summer’, music by these artists is bound to get any aged person tapping or too their feet! Disco music helped the creation of techno and house in the 1990’s.
Article Source: http://EzineArticles.com/?expert=Charlotte_Jones
Monday, July 30, 2007
REMEMBER CAMEO
An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons
to Parliament/Funkadelic in their early days............
http://www.vh1.com/artists/az/cameo/bio.jhtml
to Parliament/Funkadelic in their early days............
http://www.vh1.com/artists/az/cameo/bio.jhtml
Thursday, July 26, 2007
Granddad of funk Clinton proves a true soul survivor
Clinton can claim a unique place in pop's annals. The second most sampled artist in history (after James Brown), he paved the way for r'n'b and hip-hop (you'll hear him on Dr Dre, Public Enemy and Beastie Boys records). His creative high-point was in the '70s, at the helm of Funkadelic and Parliament. Mutations ............
http://www.independent.ie/entertainment/music/granddad-of-funk-clinton-proves-a-true-soul-survivor-993498.html
http://www.independent.ie/entertainment/music/granddad-of-funk-clinton-proves-a-true-soul-survivor-993498.html
Save The Funk
The music world is in a sad state of affairs. Musicianship is on the steady decline and the younger generation seems to have little interest in mastering an instrument. Unless some steps are made to get the kids of today playing good live music, in 10-15 years a going to a concert will just be staring at some talentless fool rapping to a pre made beat.
Definition of Funk
Funk is an American musical style that originated in the mid- to late-1960s when African American performers blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony, and brings a strong rhythmic groove of electric bass and drums to the foreground. Unlike R&B and soul songs, which had many chord changes, funk songs are often based on an extended vamp on a single chord.
Subscribe to:
Posts (Atom)